I read an article in the UK Bass Player magazine with Cronos - the bassist/singer in Venom - where he mentioned that the first thing he does with all his basses is remove all the frets past the 12th fret. It looks like Fernandes even did a Cronos signature version that way as well. (See pic below...)
Sometimes I think, maybe I'm lucky I'm left handed. If I could play any bass I wanted, my collection would REALLY be out of control.
jayceofbass wrote:I read an article in the UK Bass Player magazine with Cronos - the bassist/singer in Venom - where he mentioned that the first thing he does with all his basses is remove all the frets past the 12th fret. It looks like Fernandes even did a Cronos signature version that way as well. (See pic below...)
That way around makes sense to me.... It's like the fretboard equivalent of a mullet- business up front and party at the back...
In the topsy-turvy world of heavy rock, having a good solid piece of wood in your hand is often useful...
Anthony Jackson once had a signature Ibanez Musician with a half-fretted fingerboard like Cronos' bass (the Ibanez AJ-10).
Speaking of Ibanez, a few years ago they had the Ashula: a 6-string Soundgear with 4 regular strings tuner EADG and an extra D and G without frets. Pretty cool concept!
Jeroen wrote:Speaking of Ibanez, a few years ago they had the Ashula: a 6-string Soundgear with 4 regular strings tuner EADG and an extra D and G without frets. Pretty cool concept!
That is interesting. I think it'd be cool to have a 6 string that's tuned E-A-D twice, once fretted, once fretless.
Years ago I played an aluminum-neck Kramer(right-handed) in a store that was fretless above the 12-fret. What I remember most, other than the weight, was the frets were very small & purposely filed almost flat - probably about 1/8" tall at most.