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Jersey DRODZ 12-string

Posted: February 26th, 2024, 9:45 am
by superheavydeathmetal
https://www.facebook.com/groups/3721294 ... tid=6ojiHh

NEED MOAR STRINGS!!
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Need even more neck bolts.
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In all seriousness, it’s a beautiful instrument and I applaud anyone with the talent to play it. Certainly, it is far beyond my skill level.

Re: Jersey DRODZ 12-string

Posted: February 26th, 2024, 10:01 am
by Matt R.
That looks like so much damn fun

Re: Jersey DRODZ 12-string

Posted: February 26th, 2024, 11:07 am
by Jeroen
This one was built for Yves Carbonne, who has a signature model with Jerzy Drozd (and formerly with Noguera).

https://youtu.be/iHiBnqdvU28?si=GtNkmivC-msmhpj_

Re: Jersey DRODZ 12-string

Posted: February 26th, 2024, 9:55 pm
by LHBASSIST
It looks like it's an eleven string.

Re: Jersey DRODZ 12-string

Posted: February 27th, 2024, 5:20 am
by superheavydeathmetal
LHBASSIST wrote:It looks like it's an eleven string.
Ha! Good observation! It looks like the very highest string is missing.

Re: Jersey DRODZ 12-string

Posted: February 27th, 2024, 7:57 am
by Agent00Soul
The perfect bass for garage rock?

Re: Jersey DRODZ 12-string

Posted: February 27th, 2024, 8:14 am
by Jeroen
It's so wide it needs a damn crosswalk to play walking bass on it.

I bet you could use many a "yo momma" joke to describe this bass ;)

Re: Jersey DRODZ 12-string

Posted: February 28th, 2024, 6:34 am
by lsimy
The missing string so you can see the built-in ruler better. I wonder how accurate it is ? ;)

Re: Jersey DRODZ 12-string

Posted: February 28th, 2024, 10:25 am
by pjmuck
Agent00Soul wrote:The perfect bass for garage rock?
:lol: That thing costs more than your garage.

Re: Jersey DRODZ 12-string

Posted: February 29th, 2024, 12:38 am
by fivebass52
Jeroen wrote:This one was built for Yves Carbonne, who has a signature model with Jerzy Drozd (and formerly with Noguera).

https://youtu.be/iHiBnqdvU28?si=GtNkmivC-msmhpj_
To each his own, and Yves knew what he wanted, but that subsonic low-end going down to Hell-# just doesn't do anything for me... I suppose I'd have to hear how it works in a composed piece, to see how clear it might be, and what it would lend to composition...