http://www.myrareguitars.com/gibsonjimi.html
I guess I should be thankful they were willing to put a lefty neck on it.
I may have a difficult time restraining myself from getting in a Gibson rep's face at the upcoming NAMM show.
May have a tougher time finding one Peter. If their booth this coming year is like previous years it's sanctioned off and access is by invite only. I have a sneaking feeling being from a lefty bassist forum won't get you in at the door of the Gibson display.pjmuck wrote:I may have a difficult time restraining myself from getting in a Gibson rep's face at the upcoming NAMM show.
"Access by invite only". Reason #458 to hate f*ckin' Gibson. It may be worth it to me to attend NAMM and risk getting tossed out just to tell them what a bunch of a-holes they are to their faces.andrew wrote:May have a tougher time finding one Peter. If their booth this coming year is like previous years it's sanctioned off and access is by invite only. I have a sneaking feeling being from a lefty bassist forum won't get you in at the door of the Gibson display.
Basshappi wrote:Agreed, Gibson is a company run by a madman!
They have always been a very frustrating company for lefties but despite no lefty love there are a few Gibson designs I'd like to have in my stable. (An RD Artist was my first quality bass). But, just like Rickenbacker, Gibson will never get any money from me.
If this happens I promise everyone here that I'll post the video.pjmuck wrote:"Access by invite only". Reason #458 to hate f*ckin' Gibson. It may be worth it to me to attend NAMM and risk getting tossed out just to tell them what a bunch of a-holes they are to their faces.
???
The Gibson "Earwig" My point exactly.JOE UMAN wrote:If you buy secondhand they won't get the money.
Not true. Just taking it all in and filing it away in my head. You make a lot of good points. With regard to your comment about kids not being able to afford one, it seems to me that they've established Epiphone to be just that: the lower end product line that gives someone who's just starting out or has little money the chance to experience Gibson at a fraction of the cost (quality and tone aside, which I contend often betters a "real" Gibson). But it seems Gibson has very much positioned themselves as a legacy or american icon as you put it, and it's a musician's right of passage to own a real Gibson when they're ready...or worthy, as Gibson would like to believe. So who are they marketing to, exactly? Established musicians who still think the Gibson name equates to some high standard of quality? Anyone who's established or knows a thing or two about guitars knows how spotty Gibson's quality control is, so it comers down to trying a dozen or so Les Pauls before you finally find "the one". At times it's baffling how they manage to run their company and make a profit, considering they seem to make more missteps than hits (A $5000 Gibson Ripper reissue when vintage ones can be had for under $1000?!). If your chapter 9 rumor is true I wouldn't shed a tear.AzWhoFan wrote:I guess by the overwhelming lack of response to my earlier post above indicates that I failed to touch a nerve. Ah well, no biggie.