pjmuck wrote:
So I guess, sadly, this little experiment only validated Fender's excuse all along - that lefties don't sell enough to justify making them.
I never personally tried one of these, but I do remember many discussions on other forums about how many people thought the preamp sucked and the fretwork was rough. Perhaps the newer ones had much improved preamps?
The Hot Rod P came out around the same time as well, and I don't believe that was a best seller either.
HI PJ:
The one I got is a newer preamp, and the fretwork is good on this one. The 1999-2004 had a 9v powered preamp, the 2004-2008 models had an 18v preamp, which I think sounded pretty good. To my ears, the guitar still keeps the jazz bass growl, even with the preamp set with the bass boost and turned up all the way up, and treble cut, and the neck pup soloed. It sounded like a p-bass with a j flavor, much more so than a passive j-bass with the neck pup soloed. (which I really liked).
Objectively speaking (as much as is possible with matters of tone and these things), I would also say that the treble on the preamp is nothing to write home about. You are not going to getting the strong, sizzling highs that perhaps you can get out of other basses with preamps. For example, when you turn up the treble on the Stingray, the average listener can appreciate the difference easily, even if they cannot identify what sounds different per se.
The treble signal coming out of my jazz bass preamp won't reach those kind of sizzling highs. It gives me enough for a great slap tone, especially when I solo to bridge pick up, but it won't match the trebs on a stingray, or a MM sterling for that matter (which I spent a lot of time trying out before getting this).
I really don't care about the lack of strong highs because I don't like adding a lot of highs into my music anyway. I tend to come from the school of thought that believes that "the bass is meant to play the low end, if you want to play the higher notes, get a guitar". Furthermore, I don't need it for the music I play. Of course, it may be different for other folks, I just wanted to point this out, hopefully in a thoughtful manner.
The only thing that I was disappointed with is that there is no passive/active toggle, especially because the newer deluxes have the passive/active toggle. Of course, I knew that when I first played it, and I still got it anyhow (and have been really enjoying playing this). I don't think I will be desiring a vintage sounding passive jazz bass, partially because the deluxe gets pretty close to that sound in the first place, and partially because I don't play enough to merit getting a large collection of basses. The only other bass on my GAS list would be an acoustic bass, after that, I think I am all set with basses. If I had to get a vintage sounding passive jbass, I probably would just get an MIM or the Squier vintage vibe bass, but this one will probably be my main player.